• p. 41, n. 49: In the title of Giuseppe Carpani’s book, the word “celebre” is given with unnecessary accent marks.
  • p. 42, n. 50: The word “predominantly” is misspelled.

Ch. 3: Private, public, and playing in the present tense

  • p. 82: In the title of Giorgio Pestelli’s book, the preposition “di” is misspelled as “de.”

Ch. 4: Analyzing from within: toward a theory of multiple agency

  • p. 115, n. 6: The city “Brescia” is misspelled in the citation of Stefano Guazzo’s book.

Ch. 5: Multiple agency and sonata form

  • p. 178: The word “gruppetto” is misspelled here and elsewhere in the book.

Ch. 6: Multiple agency and meter

  • p. 253, n. 90: Each reference to mm. 88–89 should instead read 83–84.

Ch. 7: An afternoon at skittles

  • In the online resources accompanying this chapter, a pair of mislabeled harmonies appears in Score 7 and in Video 7. In the Adagio movement, in mm. 24 and 97, the chords labeled Fr 4/3 are actually II 4/3 chords (with modal mixture).

Epilogue

  • p. 291: A space is missing in the phrase “score- vs. performance-centered.”

Bibliography

  • The date of Fabio Morabito’s dissertation, “Authorship, Performance, and Musical Identity in Restoration Paris,” is erroneously given as 2016. It should be dated 2015.

Notes on Metrical Theory

  • p. 25, Ex. 14 is erroneously labeled as Beethoven’s op. 59, no. 3. It should be labeled as op. 59, no. 1.

© Edward Klorman 2025, 2016